By painting the litigation facing the light and darkness,
Mercedes Fariña represents in their new works such as
and it suggested, and it apparently closed, and I assumed it refused,
the repressed and expressed. Dualities that come together
in a moment, in the same dialogue
funds, context and the human figure.

The feminine as a whole, with its curves and its smoothness,
ably expressed in this dialectic with the propriety of
fascetados scenarios, that the protagonists atraviezan
through color slides and Bloom.

This opens up a wide range of possibilities
spectral ranges, temperatures and unusual ways.

Through the resource repetition of the bodies
and changing attitudes, it gives way to theatrical interplay
between the different dimensions of personality, the "ego"
thus stripping the alternation of the state of mind.

In an atmosphere of intense chiaroscuro, the characters in the series
appealing to the viewer through the eyes, on other occasions
are left to observe passively, without even dare to look, look,
inviting us to discover an address well beyond the obvious,
beyond "that light that arises after the darkness."

Post Tenebras Lux, is the light after darkness