By means of the pictorial litigation that the light and the darkness face,
the duality is represented between the above mentioned thing and the
suggested, the seen and the forbidden, the assumed and the useless thing,
the suppressed and the expressed.

Across the resource of the repetition of the bodies and of the change
actitudinal, one gives step to the theatrical intergame between the
different dimensions of the personality, of the "ego", undressing thus
the alternation of the mental states.

In an atmosphere of intense chiaroscuro, the prominent figures of the
series appeal to the spectator by means of the look, in other opportunities
they are left to observe passively, without at least daring to see, to look,
inviting us to discover this way a speech beyond the evident thing,
beyond " that light that arises after the darkness ".